The Torqueri Series represented a way to extend Beasley’s relentless quest for freedom and movement of shape. Beasley used 3D computer imaging to produce, study and manipulate coiled and varied volumetric gestures that were not constrained by gravity. To “see” these as potential sculptures in space, Beasley built one of the largest known 3D printers able to extrude early models in polyurethane. These models were featured in a revolutionary show at the San Francisco headquarters of the world tech leader Autodesk. Models were then refined, enlarged and expanded in bronze and stainless steel to create the elegant museum and environmentally scaled Torqueri Series sculptures produced by the artist over the last decade.