"In the late 1980s, I saw that cubes had a quiet solemnity when viewed alone but spoke with a new and emotionally more complex voice when they penetrated or counter-balanced each other. Making models of my many complex geometric visions from temporary materials like cardboard or wood was a time-consuming process that could not keep up with my curiosity. Hoping to find a means for expanding and testing my ideas more fluidly, with the help of Nobel Laureate and dear friend, the late, Robert Glazer, I was the first sculptor to master CAD (computer assisted design) for its purely fine art possibilities".
— Bruce Beasley